I knew I could do it.
In the early seventies I’d arrived in California. I tired of working a steady job, and I knew I could do advertising work. I made a list of local advertising agencies and owners, then wrote to them.
“I’m nineteen years old, I have no experience, but I’m willing to work for a low wage, and learn.”
I wanted to learn how ads were produced first, then move on to creative work.
I heard from three agencies, and took the offer from the one that was offering exactly what I wanted.
So I did learn how ads were created, and within six months I was responsible for producing ads running weekly in nine newspapers in seven cities across California and Texas, and monthly in Car and Driver, and Road & Track.
After a year and a half, I moved on to an account executive position at an agency that specialized in promoting consumer products, mostly food and automotive.
By the early nineties I’d returned to the East. I was in my early thirties, I decided that I wanted to do entertainment advertising. In fact, I knew I could do entertainment work. I now had a home in Cherry Hill, New Jersey, and two young children, and ran a small ad agency. It was small, but it was mine.
So once again I made a list of film production companies, and record labels, and set out making calls.
Years later, I had become a film publicist, and I heard about the Dave Grusin documentary Not Enough Time.
Steve Thompson
sct2391@outlook.com
#davegrusin #modernjazz #grprecords #moviesoundtracks
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